by Tom Nguyen
Last night was an incredible show by Antibalas at the Belly Up in Solana Beach. My first time at this beautiful and historic venue was just last year, to see Salif Keita, and let me tell you a secret I’ve quickly learned: if an act is playing both in Los Angeles AND at the Belly Up, it’s worth the drive for me to see them here, because the sound is incredible and the stage is low, up close and intimate!
And in fact, why not see acts twice? After boasting to a gentleman next to me, that we’d driven 2 hours to be here, he told us he’d driven 3 hours from Moorpark! Brett says Antibalas is a “2 show band” — meaning if they play 2 shows in the area, it’s worth the drive, and he’s seeing them again at their Saturday Los Angeles show at The Regent!
@antibalas afrobeat orchestra played a near 2hr nonstop set of blistering afrobeat at @bellyuptavern last night after @hereliesman!🔥🔥🔥@glennzenn10 @vannamaeart and I always meet so many cool folks there and worth the drive! Read my review at EnClave.LA and don’t miss them Sat. Mar.10 at @regenttheaterla #DTLA with the homies @ethiocali opening!💓 #Antibalas #afrobeat #thingstodoinLA #bellyuptavern #laevents
I made the drive with Vanna Mae Art and DJ Glenn Red, who’s been coming to the Belly Up since 1996. We got there in time to catch the last few songs of Here Lies Man, a psychedelic rock group fronted by Marcos Garcia (Chico Mann) and whose percussionist Rich Panta, we know quite well from Very Be Careful. Chico Mann is also the rhythm guitarist in Antibalas, but with Here Lies Man, he gets to really showcase his vocals and rock guitar solos — it’s an audacious mix of what he calls “Afro Rock….What if Black Sabbath played Afrobeat?” Continue Reading →