This review, just like Sevdaliza, is better late than never

by Cindy Ly Rozas

Sevdaliza, the Iranian born Dutch musician, dancer and visual artist that’s mesmerizing the music world with her unique avante gard glitch pop, performed her first U.S. show to a sold-out crowd at the Echoplex in Los Angeles this past Monday night. Originally scheduled for an earlier March date, Sevdaliza’s imminent L.A. debut was delayed by the administration’s travel ban, which directly affected nationals of seven muslim majority countries, including Sevda Alizadeh’s native Iran. The travel ban, which went on to inspire the track Bevin, was one way for Sevdaliza to transform her frustrations and disappointments with our current state of affairs into art.

Sevdaliza is actually really great at transforming. She transformed from child refugee to star basketball player on the Dutch national team. From then, only 4 years ago, Sevdaliza transformed herself into a producer and musician, DIY’ing every aspect of her career so far. Just this past April, she transformed the release of her first full length album, into a surreal visual experience; “ISON” manifested in physical form.

It’s hard for any international artist to tour the U.S. without a full length album behind them, but Sevdaliza could have totally done it solely based on the strength of her singles and EPs she’s been steadily dropping since 2014. Industrial R&B with a futuristic aesthetic.

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Australian sensation Tash Sultana plays dynamic Sold Out LA show at The Echo


Story and photos by guest writer Gerren Kelsaw

Australian born Natasha Sultana, known on stage as Tash Sultana, is representative of a new cadre of artists in the internet age. The self taught guitarist and singer-songwriter garnered millions of hits with busking videos before embarking on her professional career. The warm reception even led her to ask the audience at The Echo “How did you hear about me?”

Sultana came on stage in her trademark style. A loose Harley Davidson T-shirt and baseball cap covering her long curly locks. Her looping guitar style mesmerizes as she uses beatboxing and rhythmic licks to build the base of sonically fulfilling tracks. What is most compelling about her performance are the dynamics she uses to work the crowd. Unafraid to reach for the upper notes whilst still availing herself of the raw and rugged parts of her voice. Varying her playing style between fast guitar in rock style and quiet almost bluesy tones throughout the set. Tash is reminiscent of early Ani DiFranco crossed with the timbre and sweetness of Adele. Perhaps her most recognized song “Jungle” brought the sold out concert venue to raucous appreciation. Continue Reading →

Our Picks for NYE 2017 in Los Angeles!


by Tom Nguyen

When I’m considering where to spend New Year’s Eve in Los Angeles, I look for 3 things:

  • Great live bands and dance music we typically cover on this site.
  • It won’t break the bank (Some free, most under $30).
  • Whether big or small events, I’m looking for good vibes, not pretentiousness.

If you’re looking for the same, here are my recommendations (in order of cost): Continue Reading →

Review: Princess Nokia, Afro-Nuyorican feminist rapper, defiant and proud at sold out LA show


Story and photos by Mayda del Valle

Armed with a microphone and a stick of sage, Princess Nokia cast a spell on everyone at her sold out LA show at The Echo. After baptizing the audience with a bottle of water and jumping off stage to crowd surf during her first song, the anthem Tomboy, she stood poised at the edge of the stage dressed in a white sports bra and baggy pants, proclaiming “These are the rules of the show: ladies to the front, all you ally brothers get to the back. That’s right, this is a brown queer space. We don’t do none of that misogynist shit.” And with that the crowd cheered in response, and the women present claimed the space we usually have to elbow and shove our way past men at concerts to stand in. It might be this unapologetic claiming of space for marginalized identities that has led to Nokia’s growing popularity on the underground scene, and the sold out European tour she just returned from. Continue Reading →

Weekly Highlights: Daymé Arocena, Quantic and Songhoy Blues

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by Tom Nguyen

TOO MANY superlatives to describe Daymé Arocena, the talented Cuban singer and composer who graced us with her presence last Monday, March 28 at CFAER: Incredible, charismatic, glowing, powerful, humorous, magnetic. I had chills during so much of her set and I definitely wasn’t alone…everyone in the room was enthralled by her.

Daymé let us know she was playing a different set than her usual…much more rumba faithful to the documentary Havana Cultura Rumba Sessions: La Clave, the very thorough documentary on the history and current state of rumba music and dance in Havana, that was screened before the show. With clave in hand and an excellent band backing her, including LA’s beloved Lazaro Galarraga on congas, she took us on a soaring journey of Afro Cuban rumba and jazz with her powerful voice.

Daymé Arocena is not just a traditional Afro-Cuban singer. She does so much experimentation…her rendition of Ella Fitzgerald’s Cry Me A River with just clave and congas accenting her voice was such an eccentric and unique Afro-Cuban take on a soulful classic. In fact, she told us she was trying new compositions that very night. So bold, so confident! She always humored us between songs and got playful towards the end of her set with a very funky Don’t Unplug My Body. Thanks to Docta Sez for capturing some of her greatness!

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Week’s Highlights: March 16-20

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by Tom Nguyen

IMG_5626Wednesday, March 16, sister trio A-WA from Israel enthralled the packed crowd at The Echo with their Yemeni folk music. Tair, Liron & Tagel Haim (originally known as The Haim Sisters and not to be confused with another sister trio Haim) grew up in a small village Shaharut in the southern Israeli Arava Valley. Since childhood, the girls have been singing traditional songs passed down from their Yemeni grandmother. The love and protest songs of women in the Yemeni-Arabic dialect have been passed on as an oral tradition. Continue Reading →